Recording at high frame rates also helps you create better slow motion videos.īelow are the frame rates available for each format. The higher the frame rate, the smoother and sharper your video will appear, especially when movement is involved. To give you an example, the cinema standard is 24fps (frame per second). There are several settings that can influence the quality of your video footage including resolution and bitrate.įrame rate means the number of individual images that are recorded every second. Sony A7 III, A7R III, A9 Video Quality Settings If you decided to buy something after clicking the link, we will receive a small commission. Reminder: the links below are affiliate links. To know more about our ethics, you can visit our full disclosure page. If you buy something after clicking the link, we will receive a small commission. Within the article, there are affiliate links. We were not asked to write anything about these products, nor were we provided with any sort of compensation. Older cameras (A7 II series and below) have an older menu system and there can be more differences concerning the location, or the availability of some settings.Įthics statement: the following is based on our time with many A7 and A9 models, and more specifically with the A7 III and A7R III which we own. Some of these settings might also be assigned to custom buttons, the Fn Menu or My Menu.Īll the settings related to video are marked with a film icon in Sony’s menu. Please note that the location of some settings might differ slightly from one product to another. Note: all the settings highlighted in this post include information about their location in the camera’s menu system. Any difference between the various models is mentioned throughout the article. The content of this article is based on the A7 mark III, mark IV and A9 generations, but it can also be considered valid for older products. Here is what we have learned so far about shooting video with the Sony A7 III and other E-mount models, including a few video tips that we hope you find useful. When we pit cameras against one another on Mirrorless Comparison, we don’t do it just for stills but also to analyse the video performance. Thanks to the quality of their full frame sensors, the great high ISO performance and the advanced settings to control the image, the A7 series has become a popular choice amongst filmmakers. (However, if one wants do do it the same way studios do it, then - that is the way.The Sony A7 III sports excellent video capabilities, as do many other A7 models. Obviously any method involving cropping will result in reduced resolution, which is why anamorphic lenses exist.īut that's an approach that costs $$$$$$$$$$$$$$ I think the cinema types refer to it as matte, rather than crop (I’m a stills shooter, so forgive my wrong terminology) Sometimes as just lines, sometimes with the unwanted parts blacked out. You can have guides showing you the desired finished size. Thank you, I'll try it that way, but wouldn't I be missing some parts if I crop? What if I was shooting a video of people, if I crop the image I would cut their heads off? Thanks, and please excuse my ignorance. Films used to be shot in the "Academy" ratio of 1.37:1, then 1.66:1 (particularly in Europe, I believe). Shoot in 16:9 and crop.ġ.85 and 2.35 are not the only "cinematic" ratios. I could be wrong, but I don't think it's possible to do that in-camera - it's something you do afterwards.
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